24/1/2002 A Reflection of a Friendship : Sue Beams
My name is George Huitker. I'm a school teacher at Radford
College. At some point in my life I picked up the hobbies of reading,
writing and putting on little plays about town and, in my earlier days,
I liked to put them on in library centres...
I was recently asked at a conference to answer a rather
perplexing question: what's wrong with boys as we enter the new millennium?
Initially, I found that a rather daunting question to answer. Yet at that
time, I was working on a book, about football ("soccer" for the Victorians
present) - which I ended up dedicating to a Sue Beams (whom I suspect
knew the answer) - and found that I had actually attempted to answer this
question to some degree already.
I wrote the following:
"The adolescent male needs inspiration from real people
too. Far away from international sports stadiums, royal palaces and Hollywood
glitter, there needs to exist more gritty, imperfect but no less influential
human people in their lives.
People who live in the real, everyday surrounds. People
who struggle with the same things that they do, week in and week out:
the pressures of constantly having to produce the goods and reach expectations;
of having to cope with mistakes and errors of judgment that seem insurmountable;
of having continually to find inspiration at times when it's absent...
of having to work hard, regularly and incessantly even to keep up with
the pace-makers; of having to resist the joys of short-term success over
long-term happiness; and regardless of failures and successes, of having
the tenacity to maintain survival on a daily basis with your dignity,
integrity and self-confidence intact.
In reality, it can take very long, uninspiring and sometimes
painful lengths of time to achieve things. This is where good coaches,
teachers, leaders and mentors come into their own. They are the constants
in their charges' fluctuating allegiances, moods, abilities and desires,
showing them ways of making the struggle in small things like sport, and
larger things like existence, something well worth working at. In the
case of boys in this new millennium, more real, gritty and human inspiration
is needed to give them a better start."
I was a lucky boy, in that at a very early age, my parents
aside, I had a very special, real, gritty, sincere and unwavering patron
to assist me in getting a better start in doing the things that I was
to do in life... and that person was Sue.
It is evident, looking around the congregation today,
that Sue has touched the hearts of many. I imagine most would testify
to the unequivocal support and interest she had shown to so many different
types of people of all ages over many exciting years. And I fondly remember
eight little boys for whom she had an admirable patience and unlimited
enthusiasm...
I cannot imagine what Sue must have been thinking when
I fronted up with seven mates (all of whom I had convinced to do some
silly play I wrote about pigs in space), all of us dressed in spacemen
gear and me in an awful orange dress I had stolen from my mother's wardrobe...
I told Sue I had - and would have - for every Curtin
Library Holiday Program for the next fifty years or so, a full scale musical
production that I had concocted and rehearsed in our poor, battered lounge-room.
And that the Curtin Library was to be the privileged venue to stage my
extravaganzas.
Sue helped me copy and distribute the posters we shoddily
drew; build the flimsy cardboard sets and props necessary to convince
audiences that pigs could fly, explore and eventually tame the nether
regions of space and time; she'd help us put on the makeup which, as eleven
year-old boys, we knew was necessary for theatre but perhaps a little
sissy. (Even when, ironically, wearing your mother's garish, orange number.)
Sue would encourage her book-borrowers of all shapes,
sizes and ages to come and see these artistically-challenged but desperately
sincere performances, all from the hyper-creative minds of a bunch of
young wanna-be performers who really, deep down, only wanted to be loved,
supported, encouraged and nurtured for something they had created. It
was only a slight extension from the finger-paintings we'd made for our
mums at Holiday programs only a few years before...
I guess, in retrospect, playing all-singing-and-dancing
Space Invaders on a makeshift stage in the public library was more productive
for all of us then spending hours of time glued, unmoving and catatonically,
to a Nintendo or video slot-machine... or smoking or stealing.
Sue not only allowed our imaginations to soar through
the books she'd recommend and stamp for us, but she also allowed us a
platform from which to jump into the deep space of adolescence - and eventually
our adult lives.
I'm the only one of those eight small souls still doing
theatre and writing/acting/directing plays. But I'm certainly not the
only one that's taken from those years of play-acting and bamboozling
audiences - something that has lasted beyond that wonderful time. How
had Sue touched us?
She'd allowed us the space, time and dignity to express
ourselves which - I like to think, now as adults - we do competently in
the things we all do - be it inventing a computer program for Defence;
running our own businesses; exploring the wonder of other countries and
lifestyles through literature, through film and through travel; and hopefully,
and happily, in passing on some of this space, time and promotion of creativity
- that act of giving something to the world - on to the people we love
around us.
In many ways, my mother and I deeply regret not having
been able to see Sue over the last few months. To tell, her, once more,
how much I am indebted to her for her nurture and encouragement right
up until she left for Melbourne. (She even returned to Canberra briefly
in 2001 to be there at the launch of my "footy" book.)
But I do also feel this much: every time I set pen to
paper (or finger to keyboard as it's done these days), foot to floorboard
or stand in front of a class of green, wide and open eyes... if, in even
a small way, I inspire another person to be creative (which, I repeat,
essentially means to give something new, fresh and substantial to the
world) then I do it with greater conviction because of Susan Beams.
You are always in my audiences, Sue. Your passing away
will not change that. Nor will it change that feeling - which I know is
shared by so many others - that my life has been the richer and happier
for your part in it.
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